Cooking School in a Former Slaughterhouse

Situation Medina Sidonia, Cádiz
Area 751
Year 2011

Architects
Sol89. María González y Juanjo López de la Cruz

Collaborators
George Smudge, architecture student; Insur JG, installations; Alejandro Cabanas, structure

Technical Architect
Jerónimo Arrebola

Client
Fundación XXI

Construction Company
Novoaridian y Rhodas SL

Photography
Fernando Alda

Medina Sidonia boasts a unique landscape that allows for the constant observation of its rooftops. The whitewashed facades of its buildings culminate in ceramic rooftops which, when viewed from the city’s prominent skyline, appear as a singular clay masterpiece molded to the topography. Historically, its urban layout has alternated between filled and empty spaces, sprinkling the rooftops with patios, courtyards, and passages that added breadth to its design. To intervene in these empty spaces feels like settling into them, taking shelter in the nooks and crannies that time has solidified.

The dense architecture of the early 19th-century slaughterhouse, made up of walls, courtyards, stones, lime, and the columns relocated from the Phoenician temple of Hercules-Melcart, stands in contrast to the symmetrical space that has remained empty for two centuries. This space, once used for livestock arrival, a slaughter alley, and pens for pigs and cattle, mirrors the slaughterhouse. It’s an unoccupied space bounded by the imposing whitewashed wall that encloses the plot and originally surrounded the building on two sides.

The project aims to encapsulate this space with a ceramic roof that solidifies this area between walls, clarifying the original space and reinterpreting the traditional design rooted in Medina Sidonia of white structures capped with ceramics. The roof adopts the concept of ceramic topography to sketch a geometry that rises or dips, forming an irregular section entirely clad in baked ceramic. This covering houses the new design, while the slaughterhouse’s halls are emptied, positioning dining areas that open up to the original courtyard.

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After demolishing the less significant elements, the original core around the courtyard is consolidated. In the empty space, teaching kitchens and classrooms are arranged, articulated by thick bands that densify the transition between them. A coating that extends the kitchen floor onto the vertical walls creates ceramic basins as an ideal workspace. Its height is interrupted by the roof support, which is perforated by a series of courtyards that act as ventilation chimneys and large pots for culinary species.

The slaughterhouse’s austerity still resides in its walls and in the columns that some historians originally place in the Phoenician temple of Hercules-Melcart. Their dispersion forms a network in Medina Sidonia’s layout. We’d like to preserve some of that character. The old beams are replaced by curved concrete slabs reminiscent of the originals, walls are clad with polished lime mortar, and the floor is made of rough gray granite. Everything has a somewhat rough appearance, trying not to overshadow the memory of a place dedicated to a primitive industry.

The proposal taps into the vernacular tradition of popular constructions in many southern towns and cities: whitewashed walls with high thermal inertia, courtyards used as chimneys to induce ventilation, and breathable ceramic roofs. A series of small courtyards dot the design of the Hospitality School, ensuring cross-ventilation. Meanwhile, the thick walls into which the intervention is inserted reduce thermal losses, and humidity is managed through the use of clay as a wrapping material.

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