Cooking School in a Former Slaughterhouse
Architects
Sol89. María González y Juanjo López de la Cruz
Collaborators
George Smudge, architecture student; Insur JG, installations; Alejandro Cabanas, structure
Technical Architect
Jerónimo Arrebola
Client
Fundación XXI
Construction Company
Novoaridian y Rhodas SL
Photography
Fernando Alda

Medina Sidonia boasts a unique landscape that allows for the constant observation of its rooftops. The whitewashed facades of its buildings culminate in ceramic rooftops which, when viewed from the city’s prominent skyline, appear as a singular clay masterpiece molded to the topography. Historically, its urban layout has alternated between filled and empty spaces, sprinkling the rooftops with patios, courtyards, and passages that added breadth to its design. To intervene in these empty spaces feels like settling into them, taking shelter in the nooks and crannies that time has solidified.
The dense architecture of the early 19th-century slaughterhouse, made up of walls, courtyards, stones, lime, and the columns relocated from the Phoenician temple of Hercules-Melcart, stands in contrast to the symmetrical space that has remained empty for two centuries. This space, once used for livestock arrival, a slaughter alley, and pens for pigs and cattle, mirrors the slaughterhouse. It’s an unoccupied space bounded by the imposing whitewashed wall that encloses the plot and originally surrounded the building on two sides.
The project aims to encapsulate this space with a ceramic roof that solidifies this area between walls, clarifying the original space and reinterpreting the traditional design rooted in Medina Sidonia of white structures capped with ceramics. The roof adopts the concept of ceramic topography to sketch a geometry that rises or dips, forming an irregular section entirely clad in baked ceramic. This covering houses the new design, while the slaughterhouse’s halls are emptied, positioning dining areas that open up to the original courtyard.