Wellness Center for the Elderly and Disabled Unjeong Danurim
Architects
Sol89. María González & Juanjo López de la Cruz + Woodrock Architects
Lead coordinating architect
Jongjin Lee
Collaborators
Cristobal Galocha, Elena González, Álvaro Valverde, María Luisa Benítez, architects; Treceuve Render, infographics
Client
Paju City Government
Photography
Sol89

In the scattered fabric where we find ourselves, the existing peripheral park is the major urban reference, where buildings are situated as isolated pavilions. We understand that the park is the significant public reference; therefore, the building should emerge in relation to it. We choose a fragmented implementation that acknowledges the program’s division into two (one for elderly users and another for people with reduced mobility) and allows the park to traverse the project, connecting to it through a madang, a type of traditional Korean courtyard with a public vocation. Simultaneously, we endow the proposal with compactness to confer a unified image capable of providing identity to this generic and yet unconsolidated area of the city.
We opt for a horizontal configuration that reduces vertical journeys for people with reduced mobility, whether due to age or disability. This approach also achieves a friendlier scale and ensures that the madang is a sunny place throughout the year, defining and refining the park’s broad and collective space. It establishes all types of transparencies and multiple building accesses, increasing the awareness of public and shared space.
From the covered porches open to the madang, there is access to the two centers, with direct entry to the auditoriums and the day center. The porches also independently lead to the two large dining rooms. Through the gentle ramp that crosses the madang, we can directly access the gyms, billiards, and table tennis on the first floor. In section, we propose occupying the building from the most public at the bottom to the most private at the top, from the dining rooms on the first floor to the offices on the third floor. The three large voids, the two auditoriums, and the madang, structure and orient the project as the three significant scenographic spaces where collective acts are celebrated and have direct access.
